Sold x 2

A retired geologist has purchased this pair of mosaics from my In the Woods series after seeing them in the 5th Annual Mosaic Show in Bandon, OR. I hope they bring her pleasure for many, many years!

Meandering (2014) 12" x 12" | 30 cm x 30 cm. Stone, porcelain, glass, mosaic gold.

Trespassing (2014) 12" x 12" | 30 cm x 30 cm. Stone, porcelain, glass, mosaic gold.

Exhibition: Traditions Kept & Broken

Tracy Hodson has once again curated an impressive mosaic exhibition for the Bandon Library Art Gallery. This annual exhibition continues to attract a diverse representation of contemporary mosaic art. Through thoughtful essays and sensitive curation, Tracy offers a deep and informative perspective on mosaic art, which enriches the exhibition experience for all who are fortunate enough to view it.

Please enjoy this year’s essay and a photo tour of the exhibition here.

Sold x 4

Rhythms: July (2008) 8” x 8” | 20cm x 20cm. Sodalite, granite, smalti, piastrina, shell, lapis, glass, Swarovski crystals.

Rhythms: October (2008) 8” x 8” | 20cm x 20cm. Marble, travertine, onyx, porcelain, vitreous, carnelian, chrysoprase, piastrina, other glass, seed beads.

I was very happy to have sold a few mosaics at the Bandon Library’s 4th Annual Mosaic Show in June, in Bandon, OR. The two pieces, above from my Rhythms series found new homes, as well as the two minis below.

These were two of six little mosaics I did as part of the 2008 MAO Monthly Challenge. Their titles reflect the theme of the challenge.

Memoryware 3” x 2” | 8cm x 5cm. Broken Spode, costume jewelry, glass beads.

Architecture 3” x 2” | 8cm x 5cm. Onyx, hematite, shell, glass, Swarovski crystals.

Homage To Kilauea: Andamento

Someone wanted to know why I thought the andamento for my recent mosaic, Homage To Kilauea, was so difficult. I must clarify that just because it was difficult for me does not mean that it would be for everyone. I doubt that someone like Giulio Menossi, who has truly mastered a very refined andamento in his stunning portraiture work, would have been as challenged on this piece as I was. This kind of refined andamento requires, I believe, a whole lotta practice.

Looking back over my years of mosaic experience, I feel like I have only dabbled in this kind of andamento. Without years of experience doing this kind of thing, I find it is vital to draw out the andamento, piece by piece. I did not do that with this mosaic because, when I started it, I was just playing around. As I progressed on the work, my innate sense of seriousness and challenge led me to take the andamento more seriously than I had initially intended. 

So, what was so difficult about it for me? Three things:

  1. The spaces, which I'll call channels, around the large shale pieces and the small stones are very narrow. That's a quarter in the pic on the right, which is about the size of a euro. (It's cloudy today so the image at right is on the dark side—apologies.) The channels primarily range about 3/8" wide to about 1 1/4" at the widest, not counting the lower right area where the blue flares out to the edge.
  2. The average size of the smalti pieces is quite small, the majority being between 1/8" and 1/4". 
  3. It is just very tricky to express flow around sharp curves and into and out of areas of varying size—small to large/large to small—and where the flow goes in all directions.

With such small spaces in which to work, I felt like a more refined andamento would best express the flow that I wanted. My study with Menossi doing portraiture is the most refined andamento I have ever worked with, and the most difficult. Expressing the contours of the face, flowing in and out of the shadows and angles and fullness and hollows of a face, using andamento as well as color and shading, is a demanding technical skill.

I worked with this kind of refined andamento on a recent work, Storyteller, but to a much lesser degree than I attempted here. After completing this work, I've decided to do another work incorporating this kind of andamento. I'll blog about it as I go, starting with my next post in the next few days. The piece will be similar to this one and will present the same andamento challenges. Let's see how I do.